A very beautiful and melancholy essay from an architectural blog, BLDGBLOG, on the Library of Dust. It includes mentions of One Flew over the Cuckoo’s Nest (the reason I picked the University of Oregon for an English degree was because Ken Kesey taught there at the time), Haruki Murakami’s novel Hard-boiled Wonderland and the End of the World (which was influenced by Borges, two of my favorite writers and their fantastical visions of librari-es/ans), and a book titled Dust: A History of the Small and the Invisible by Joseph Amato, which was an amazing piece of science writing about something we rarely consider anything more than a daily annoyance if we consider it at all. Geoff Manaugh writes a beautiful counterpart to the images,
“Each canister holds the remains of a human being, of course; each canister holds a corpse – reduced to dust, certainly, burnt to handfuls of ash, sharing that cindered condition with much of the star-bleached universe, but still cadaverous, still human. What strange chemistries we see emerging here between man and metal. Because these were people; they had identities and family histories, long before they became nameless patients, encased in metal, catalytic.
In some ways, these canisters serve a double betrayal: a man or woman left alone, in a labyrinth of medication, prey to surveillance and other inhospitable indignities, only then to be wed with metal, robbed of form, fused to a lattice of unliving minerals – anonymous. Do we see in Maisel’s images then – as if staring into unlabeled graves, monolithic and metallized, stacked on shelves in a closet – the tragic howl of reduction to nothingness, people who once loved, and were loved, annihilated?”
Or do we just see ourselves in another form? The byproduct of a chemical bloom of color, the matter we used to be creating a florescence marking not the end, but continuous and constant change, even after death?